纲忻沙缸丝桂林的旅游风景区贺潜端狗急

李大龙

桂林的旅游风景区
枫桥夜泊古诗(月落乌啼霜满天)原文翻译及赏析_作者张继月落乌啼霜满天江枫渔火对愁眠姑苏城外寒山寺夜半钟声到客船《连州阳山归路》原文翻译及赏析_作者吕本中稍离烟瘴近湘潭疾病衰颓已不堪儿女不知来避地强言风物胜江南
《幽居初夏》原文翻译及赏析_作者陆游湖山胜处放翁家槐柳阴中野径斜水满有时观下鹭草深无处不鸣蛙箨龙已过头番笋木笔犹开第一花叹息老来交旧尽睡来谁共午瓯茶《同诸公登慈恩寺塔》原文翻译及赏析_作者杜甫高标跨苍天烈风无时休自非旷士怀登兹翻百忧方知象教力足可追冥搜仰穿龙蛇窟始出枝撑幽七星在北户河汉声西流羲和鞭白日少昊行清秋秦山忽破碎泾渭不可求俯视但一气焉能辨皇州回首叫虞舜苍梧云正愁惜哉瑶池饮日晏昆仑丘黄鹄去不息哀鸣何所投君看随阳雁各有稻粱谋
《卜算子·娇软不胜垂》原文翻译及赏析_作者纳兰性德娇软不胜垂瘦怯那禁舞多事年年二月风翦出鹅黄缕一种可怜生落日和烟雨苏小门前长短条即渐迷行处古典诗词中杨柳被赋予了多种喻义但多是借以抒发艳情或是表达离愁别绪等等本篇虽题作咏柳一作新柳可实际上作者别有寓托有人以为是用象征的手法借咏柳来写一个年方及笄的歌女此可备一说这首小词用笔空灵清丽虽刻画但不伤其神理诚所谓不著一字尽得风流斯是妙绝上片侧重描画弱柳之形但已是含情脉脉下片侧重写其神韵结处用苏小之典更加迷离深婉耐人寻味
《忆秦娥·秋萧索》原文翻译及赏析_作者黄机秋萧索梧桐落尽西风恶西风恶数声新雁数声残角离愁不管人飘泊年年孤负黄花约黄花约几重庭院几重帘幕这首词写游子的伤秋怀人之情首句写出了独处孤旅双在秋风叶落之时萦绕于游子心中的渴求温暖的呼唤为古今诗词的一个历久常新的主题的定下了萧杀的基调接着便展开具体描绘一叶落天下尽知秋秋天本来就容易引起离人的愁绪更何况此时此刻已不是黄叶方飘的初秋而是梧桐落尽的深秋呢词人于西风下着一恶字感情色彩十分强烈然而西风之恶还不止于落尽梧桐而已作者巧借此调叠句之格在强调西风恶三字后又引出数声新雁数声残角幽咽凄厉声声扣击着游子的心扉这样整个上片写出了一派浓重的秋意为下文写游子的愁绪渲染了氛围梧桐叶落西风雁声等意象的描写为下阙游子的孤寂之情的抒发奠定了基调离愁不管人飘泊离愁本是游子心中所生这里却将它拟人化离愁完全不顾及游子四处飘泊的痛苦处境久久不去折磨着人的心灵不管二字包含着多少无可奈何之情年年孤负黄花约游子的离愁如此难以排遣原来更有着期约难践的歉疚想当初临别这际自己与恋人相约在菊花开放的的秋天重逢可是花开几度人别数载事与愿违年年负约每念及此怎不令人肝肠寸断紧接着作者又用叠句将笔触伸向天边从恋人的角度写情有味的是作者只是描写了她的居处几重庭院几重帘幕然后戛然而止这就给读者留下了驰骋想象的余地那深深庭院里重重帘幕中的人儿是怎样忍受着相思的煎熬和独处的孤寂年复一年地翘首盼望游子归来已是不言而喻了总之此篇以直笔写游子离愁以墨写闺人之幽怨两地相思一种情愫在萧杀秋景的环境中更显得深挚动人

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