心酶投汤侣夏日江南寻幽，在碧波中觅一方清凉心嘿涯谰式

李大龙

夏日江南寻幽，在碧波中觅一方清凉
《绝句·竹影和诗瘦》原文翻译及赏析_作者王庭筠竹影和诗瘦梅花入梦香可怜今夜月不肯下西厢前两句一从视觉一从嗅觉的角度来描写诗人居处的清幽境界竹和诗一为自然之物一为社会之物二者本无从比较但诗人用一个瘦字把二者紧密地联系在一起竹具有清瘦的形象诗具有清瘦的风格瘦字用得生新为全诗定下了清瘦的意境氛围而入梦香则将现实与梦境联系起来梅花夜间在月光的朗照下也喷出清香已不同凡响而这香气还伴着诗人进入梦乡则香气之浓郁之悠长可以想见将竹与梅这样的自然物象与诗与梦这样的人为之物炼在一句之中这就构成了情在景中景在情中情景混融莫分的高妙意境前两句字面上完全没有月但透过竹影和梅香我们可以感受到月自在其中在后两句中诗人便将月和盘托出可怜者可爱也当诗人信步庭院时月光与竹影梅香是那样的和谐而回到西厢房时这月光却不能下西厢这多么地令人遗憾诗中透露出一股月与人不能互通情愫的遗憾或幽怨的情绪诗人遗憾或幽怨的是什么也许是有情人天各一方不能互通情怀也许是君臣阻隔上下无法沟通也许什么都不是只是诗人置身此时此景之中的一种朦朦胧胧的感受而已《柳》原文翻译及赏析_作者李商隐曾逐东风拂舞筵乐游春苑断肠天如何肯到清秋日已带斜阳又带蝉
《清溪行（清溪清我心）》原文翻译及赏析_作者李白清溪清我心水色异诸水借问新安江见底何如此人行明镜中鸟度屏风里向晚猩猩啼空悲远游子《平湖乐·采菱人语隔秋烟》原文翻译及赏析_作者王恽采菱人语隔秋烟波静如横练入手风光莫流转共留连画船一笑春风面江山信美终非吾土问何日是归年
《更漏子·柳丝长，桃叶小》原文翻译及赏析_作者晏几道柳丝长桃叶小深院断无人到红日淡绿烟晴流莺三两声雪香浓檀晕少枕上卧枝花好春思重晓妆迟寻思残梦时全词以闲雅的笔调和深婉的情致抒写了春日闺思的情怀创造出一种纯美的词境上片以轻倩妍秀的笔触描写室外美好的春景起首三句描绘柳丝长长桃叶细嫩深院空寂的景色烘托春日寂静的气氛无人到上加一断字便有怨意为结处写情作了铺垫歇拍三句写院中的景物淡淡的红日照进院子里浓绿的树丛笼罩着漠漠轻烟传来了流莺三两声鸣啭一淡字写出春天初阳的特色空中水气弥漫故太阳淡而无光绿烟指草木间的烟霭末句以莺声反衬深院的寂静过片三句转写室内的情景闺中人雪白的肌肤透出了浓香脸上浅红色的娇晕也消褪了那绣枕头上低压着枝梢的花儿十分美好雪喻女子莹白的肌肤檀晕浅红色的妆晕上两句暗示闺人一夜独眠辗转不寐故妆残晕少枕上句隐喻闺人之美故见枕上花枝而益增枨触三句语浅情深含蓄蕴藉深婉曲折颇为耐人寻味结拍三句春思犹言春情春愁指闺人春日的情思晓妆句意与温庭筠菩萨蛮懒起画蛾眉弄妆梳洗迟相近而情韵似更胜真能写得出寻思的神理春日里闺中人闲愁深重起床后也迟迟不愿去梳妆独自寻思清晓的残梦这三句含而不露无限幽怨尽不言之中词中人梦境的内容作者没有道破这就给读者留下了充分的想像空间和无穷的回味王双启晏几道词新释辑评中国书店
《花心动·柳》原文翻译及赏析_作者吴文英十里东风袅垂杨长似舞时腰瘦翠馆朱楼紫陌青门处处燕莺晴昼乍看摇曳金丝细春浅映鹅黄如酒嫩阴里烟滋露染翠娇红溜此际雕鞍去久空追念邮亭短枝盈首海角天涯寒食清明泪点絮花沾袖去年折赠行人远今年恨依然纤手断肠也羞眉画应未就

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