涯匀端揭汤江南夜色温柔景，灯火阑珊映水影谕昧砍丈鸦

李大龙

江南夜色温柔景，灯火阑珊映水影
《京都元夕》原文翻译及赏析_作者元好问服华妆着处逢六街灯火闹儿童长衫我亦何为者也在游人笑语中雪梅·其一古诗(其一)原文翻译及赏析_作者卢梅坡梅雪争春未肯降骚人搁笔费评章梅须逊雪三分白雪却输梅一段香古今不少诗人往往把雪梅并写雪因梅透露出春的信息梅因雪更显出高尚的品格如毛泽东卜算子咏梅中就曾写道风雨送春归飞雪迎春到已是悬崖百丈冰犹有花枝俏俏也不争春只把春来报待到山花烂漫时她在丛中笑雪梅都成了报春的使者冬去春来的象征但在诗人卢梅坡的笔下二者却为争春发生了磨擦都认为各自占尽了春色装点了春光而且谁也不肯相让这种写法实在是新颖别致出人意料难怪诗人无法判个高低诗的后两句巧妙地托出二者的长处与不足梅不如雪白雪没有梅香回答了骚人阁笔费评章的原因也道出了雪梅各执一端的根据读完全诗我们似乎可以看出作者写这首诗是意在言外的借雪梅的争春告诫我们人各有所长也各有所短要有自知之明取人之长补己之短才是正理这首诗既有情趣也有理趣值得咏思
《积雨辋川庄作 / 秋归辋川庄作》原文翻译及赏析_作者王维积雨空林烟火迟蒸藜炊黍饷东漠漠水田飞白鹭阴阴夏木啭黄鹂山中习静观朝槿松下清斋折露葵野老与人争席罢海鸥何事更相疑《贫交行》原文翻译及赏析_作者杜甫翻手作云覆手雨纷纷轻薄何须数翻手作云一作为君不见管鲍贫时交此道今人弃如土
《好了歌（世人都晓神仙好）》原文翻译及赏析_作者曹雪芹世人都晓神仙好惟有功名忘不了古今将相在何方荒冢一堆草没了世人都晓神仙好只有金银忘不了终朝只恨聚无多及到多时眼闭了世人都晓神仙好只有姣妻忘不了君生日日说恩情君死又随人去了世人都晓神仙好只有儿孙忘不了痴心父母古来多孝顺儿孙谁见了好了歌和好了歌注形象地刻画了人类社会的人情冷暖世事无常在这个传统的人治社会中伦理道德变得虚伪败坏人们普遍丧失了对古典人文主义的信仰人性恶劣的方面开始扩张又加上政治环境的动荡变幻人们对现存秩序的深刻怀疑失望都表现得十分清楚这种乱烘烘你方唱罢我登场的景象是传统中国社会内部兴衰荣枯转递变化过程大为加速的反映因为小农经济基础已经日渐腐朽但终究是上层建筑首先开始腐朽堕落这主要来自于人内心的贪欲与傲慢是上层核心人物因为权力的过分集中扩张膨胀而变得肆无忌惮物欲横流导致这些统治者们严重败坏了社会的整体道德风气和公平正义表现出封建礼教等统治秩序已经无法维系封建社会上层建筑正在解体这些征兆都具有时代的典型性作为艺术家的曹雪芹是伟大的他给我们留下了一幅极其生动的封建末世社会的讽刺画当他尝试着对这些世态加以解说并试图向陷入迷津的人们指明出路的时候他走向了超越之路走向了哲学与宗教形式上真正的大自在解脱他善于借助机智的语言去揭示那些人生无常万境归空的超越性智慧和断绝俗缘所谓了便得解脱所谓好的透彻观照式的古典却又精辟的宣传借此表达自己对现实社会的失望和对究竟真理的向往这样他自然地就使自己开创出了新的哲学性思维和创作思路曹雪芹红楼梦北京中华书局年第页
《苏幕遮·燎沉香》原文翻译及赏析_作者周邦彦燎沉香消溽暑鸟雀呼晴侵晓窥檐语叶上初阳干宿雨水面清圆一一风荷举故乡遥何日去家住吴门久作长安旅五月渔郎相忆否小楫轻舟梦入芙蓉浦

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