场景变化多：模拟真实，应有尽有

李大龙

场景变化多：模拟真实，应有尽有
《田园言怀》原文翻译及赏析_作者李白贾谊三年谪班超万里侯何如牵白犊饮水对清流《青玉案·丝丝香篆浓于雾》原文翻译及赏析_作者高鹗丝丝香篆浓于雾织就绿阴红雨乳燕飞来傍莲幕杨花欲雪梨云如梦又是清明暮屏山遮断相思路子规啼到无声处鳞瞑羽迷谁与诉好段东风好轮明月尽教封侯误此词抒写闺中怀人之情上片写景香篆雾浓织就绿阴红雨燕傍莲幕杨花似雪梨云如梦清明即将过去下片写春闺怀人鱼雁鲜通此情谁诉辜负了春风明月大好时光于是悔教夫婿觅封侯的思想感情便自然地流露出来全词委婉缠绵艳多姿
《前出塞九首·其六》原文翻译及赏析_作者杜甫挽弓当挽强用箭当用长射人先射马擒贼先擒王杀人亦有限列国自有疆苟能制侵陵岂在多杀伤作者是唐代诗人杜甫诗人先写出塞九首后又写出塞五首加前后以示区别前出塞是写天宝末年哥舒翰征伐吐蕃的时事意在讽刺唐玄宗的开边黩武本篇原列第六首是其中较有名的一篇诗的前四句很象是当时军中流行的作战歌诀颇富韵致饶有理趣深得议论要领所以黄生说它似谣似谚最是乐府妙境两个当两个先妙语连珠开人胸臆提出了作战步骤的关键所在强调部伍要强悍士气要高昂对敌有方略智勇须并用四句以排句出之如数家珍宛若总结战斗经验然而从整篇看它还不是作品的主旨所在而只是下文的衬笔后四句才道出赴边作战应有的终极目的杀人亦有限列国自有疆苟能制侵陵岂在多杀伤诗人慷慨陈词直抒胸臆发出振聋发聩的呼声他认为拥强兵只为守边赴边不为杀伐不论是为制敌而射马不论是不得已而杀伤不论是拥强兵而擒王都应以制侵陵为限度不能乱动干戈更不应以黩武为能事侵犯异邦这种以战去战以强兵制止侵略的思想是恢宏正论安边良策它反映了国家的利益人民的愿望所以张会在杜诗府粹里说这几句大经济语借戍卒口说出从艺术构思说作者采用了先扬后抑的手法前四句以通俗而富哲理的谣谚体开势讲如何练兵用武怎样克敌制胜后四句却写如何节制武功力避杀伐逼出止戈为武本旨先行辅笔后行主笔辅笔与主笔之间看似掠转实是顺接看似矛盾实为辩证因为如无可靠的武备就不能制止外来侵略但自恃强大武装而穷兵黩武也是不可取的所以诗人主张既拥强兵又以制侵陵为限才符合最广大人民的利益浦起龙在读杜心解中很有体会地说上四句如此飞腾下四句忽然掠转兔起鹘落如是如是这里说的飞腾和掠转就是指作品中的奔腾气势和波澜这里说的兔起鹘落就是指在奔腾的气势中自然地逼出拥强兵而反黩武的深邃题旨在唐人的篇什中以议论取胜的作品较少而本诗却以此见称它以立意高正气宏富哲理有气势而博得好评《长相思·雨》原文翻译及赏析_作者万俟咏一声声一更更窗外芭蕉窗里灯此时无限情梦难成恨难平不道愁人不喜听空阶滴到明
《阮郎归·春风吹雨绕残枝》原文翻译及赏析_作者佚名春风吹雨绕残枝落花无可飞小池寒绿欲生漪雨晴还日西帘半卷燕双归讳愁无奈眉翻身整顿着残棋沉吟应劫迟
《春光好·一名愁倚栏令》原文翻译及赏析_作者和凝叶软杏花明画船轻双浴鸳鸯出绿汀棹歌声春水无风无浪春天半雨半晴红粉相随南浦晚几含情

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