用户体验佳：流畅操作，舒适感受

李大龙

用户体验佳：流畅操作，舒适感受
《玉漏迟·咏杯》原文翻译及赏析_作者元好问淅江归路杳西南却羡投林高鸟升斗微官世累苦相萦绕不似麒麟殿里又不与巢由同调时自笑虚名负我半生吟啸扰扰马足车尘被岁月无情暗消年少钟鼎山林一事几时曾了四壁秋虫夜雨更一点残灯斜照清镜晓白发又添多少这是一首抒怀词上片先写对故国有可望而不可即之叹次言对功名仕宦有味同嚼蜡之嗟再写隐显莫是啼笑皆非的矛盾心情下片叹时光流驶马足车尘青春消尽山林钟鼎事无了期夜雨秋虫残灯独对晓添白发对镜生愁俯仰两间怅恨何已全词除四壁两句正面写景外都属叙事抒情文笔婉曲有行云流水之妙《诉衷情·凭觞静忆去年秋》原文翻译及赏析_作者晏几道凭觞静忆去年秋桐落故溪头诗成自写红叶和恨寄东流人脉脉水悠悠几多愁雁书不到蝶梦无凭漫倚高楼此词描写孤独寂寞的相思之苦开头两句回忆去年秋天与情人在故溪头桐树下相晤话别的情景话别是推断出来的是根据下文的恨字说的这恨只能是离愁别恨把相唔之处称作故溪头也很有意思加上一个故字就把二人对年交往的情义包括进去了接下来用红叶题诗的典故是暗中把自己比喻幽闭的宫女其孤独寂寞之情状依稀可见过片三短句写得很概括但给读者留出的想象空间却很开阔人是漫倚高楼朝下面含情不语地凝望着悠悠的流水此时此际心中所忆所想所希冀所企盼均在不言之中水悠悠之后接上几多愁也许是巧合这使读者联想到李后主的名句问君能有几多愁恰似一江春水向东流所以三个短句的表现力是相当强的接下来雁书不到蝶梦无凭巧妙地天然属对把见不到信做不成梦的情况通过典故表达出来这一方面可与上片的用典相呼应避免了失之单调的弊病另一方面也使得词句呈现出丰满的形象性避免了抽象地空喊孤独空喊寂寞的弊病最后以漫倚高楼作结束交代了全词所写的凭觞静忆和倚楼凝望的所在之处使得主人公的活动有了个落脚点这也是很必要的还有一点很有意思全词以倚楼作结但倚楼的行为并没有停止词读完了在读者的印象中好像主人公仍然在倚楼沉思并没有移步离开那儿
《诉衷情近·雨晴气爽》原文翻译及赏析_作者柳永雨睛气爽伫立江楼望处澄明远水生光重叠暮山耸翠遥认断桥幽径隐隐渔村向晚孤烟起残阳里脉脉朱阑静倚黯然情绪未饮先如醉愁无际暮云过了秋光老尽故人千里竟日空凝睇《秋风引（何处秋风至）》原文翻译及赏析_作者刘禹锡何处秋风至萧萧送雁群朝来入庭树孤客最先闻
《贺新郎·睡起流莺语》原文翻译及赏析_作者叶梦得睡起流莺语掩苍苔房栊向晚乱红无数吹尽残花无人见惟有垂杨自舞渐暖霭初回轻暑宝扇重寻明月影暗尘侵上有乘鸾女惊旧恨遽如许江南梦断横江渚浪粘天葡萄涨绿半空烟雨无限楼前沧波意谁采花寄取但怅望兰舟容与万里云帆何时到送孤鸿目断千山阻谁为我唱金缕
《九日登望仙台呈刘明府·汉文皇帝有高台》原文翻译及赏析_作者崔曙汉文皇帝有高台此日登临曙色开三晋云山皆北向二陵风雨自东来关门令尹谁能识河上仙翁去不回且欲近寻彭泽宰陶然共醉菊花杯

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