昧分氛厦偬江南水乡画中游，领略独特魅力景腔毙雅山母

李大龙

江南水乡画中游，领略独特魅力景
《菩萨蛮·玉京人去秋萧索》原文翻译及赏析_作者耿玉真玉京人去秋萧索画檐鹊起梧桐落欹枕悄无言月和残梦圆背灯唯暗泣甚处砧声急眉黛远山攒芭蕉生暮寒这是北宋初年广为流传的一首词笔致工巧深婉动人尽极抒写一位温柔多情敏感娴静女子之念思之情陈廷焯评赞该词如怨如慕极深款之致据阮阅诗话总龟等书记载南唐卢绛病疟疾梦白衣美妇歌曰玉京人去秋萧索云云给这首词蒙上一层迷离恍惚的神秘色彩世称为鬼词可见人们对其喜爱之极上阙首句玉京人去秋萧索点明亲人远去京师春去秋至而音信全无画檐鹊起梧桐落鹊起不顾进一步暗示亲人一去杳然庭院阒寂怅然失望梧桐叶坠之声亦清晰可闻怀想之深立见欹枕悄无言夜不安寐欹枕无言用动作表现心理形象而又委曲月和清梦圆梦里依稀与亲人团聚词人把梦中团聚与中天月圆巧妙地交织一起圆语双关圆而不圆梦境与现实月色与人事两相反衬思念之情愈婉愈深背灯惟暗泣甚处砧声急前后倒装甚处砧声急深夜里不知什么地方响起阵阵捣衣声把人从朦胧的睡梦中惊醒甚处表明砧声从很远处传来时断时续并不太响也符合乍醒恍惚情态这种响声亦把人惊醒说明睡得不安稳夜之冷清更甚急未必实写砧声矣背灯惟暗泣梦断神伤状眼前冷寂梦中欢聚两相衬照益发伤神怅惘岂不柔肠寸断哀泣不止呀一暗字心中哭泣为伤感之最眉黛远山攒接背灯暗泣给伤心之极攒蹙秀眉一特写更将满膺思念一腔哀怨无法释怀而凝结于眉间黛远末句芭蕉生暮寒宕开以景收束芭蕉生寒凄冷之切寒气直沁人心里又不说破辞婉情切令人哀怨无端为以景结情之妙笔此词上下两阙各用两仄韵两平韵平仄传递情调亦由紧促转为低沉与词意的转进相谐和结构上一句景一句情间或情景双写在情与景的相映相生相融中主人公的内心世界婉曲而深切地袒露出来《何彼襛矣》原文翻译及赏析_作者诗经何彼矣唐棣之华曷不肃雍王姬之车何彼矣华如桃李平王之孙齐侯之子其钓维何维丝伊缗齐侯之子平王之孙
《六丑·正单衣试酒》原文翻译及赏析_作者周邦彦正单衣试酒怅客里光阴虚掷愿春暂留春归如过翼一去无迹为问花何在夜来风雨葬楚宫倾国钗钿堕处遗香泽乱点桃蹊轻翻柳陌多情为谁追惜但蜂媒蝶使时叩窗隔东园岑寂渐蒙笼暗碧静绕珍丛底成叹息长条故惹行客似牵衣待话别情无极残英小强簪巾帻终不似一朵钗头颤袅向人欹侧漂流处莫趁潮汐恐断红尚有相思字何由见得《岁暮》原文翻译及赏析_作者杜甫岁暮远为客边隅还用兵烟尘犯雪岭鼓角动江城天地日流血朝廷谁请缨济时敢爱死寂寞壮心惊
《水调歌头·细数十年事》原文翻译及赏析_作者范成大细数十年事十处过中秋今年新梦忽到黄鹤旧山头老子个中不浅此会天教重见今古一南楼星汉淡无色玉镜独空浮敛秦烟收楚雾熨江流关河离合南北依旧照清愁想见娥冷眼应笑归来霜鬓空敝黑貂裘酾酒问蟾兔肯去伴沧洲
《江城子·西城杨柳弄春柔》原文翻译及赏析_作者秦观西城杨柳弄春柔动离忧泪难收犹记多情曾为系归舟碧野朱桥当日事人不见水空流韶华不为少年留恨悠悠几时休飞絮落花时候一登楼便作春江都是泪流不尽许多愁

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