品味江南精致食：爽滑虾仁粢饭糕

李大龙

品味江南精致食：爽滑虾仁粢饭糕
《冬日田园杂兴》原文翻译及赏析_作者范成大斜日低山片月高睡余行药绕江郊霜风捣尽千林叶闲倚筇枝数鹳巢炙背檐前日似烘暖醺醺后困蒙蒙过门走马何官职侧帽笼鞭战北风屋上添高一把茅密泥房壁似僧寮从教屋外阴风吼卧听篱头响玉箫松节然膏当烛笼凝烟如墨暗房栊晚来拭净南窗纸便觉斜阳一倍红乾高寅缺筑牛宫酒豚蹄酹土公牯无瘟犊儿长明年添种越城东放船开看雪山晴风定奇寒晚更凝坐听一篙珠玉碎不知湖面已成冰拨雪挑来踏地菘味如蜜藕更肥朱门肉食无风味只作寻常菜把供无烟雪夜长地炉煨酒暖如汤莫嗔老妇无盘笑指灰中芋栗香煮酒春前腊后蒸一年长飨瓮头清廛居何似山居乐秫米新来禁入城黄纸蠲租白纸催皂衣旁午下乡来长官头脑冬烘甚乞汝青钱买酒回探梅公子款柴门枝北枝南总未春忽见小桃红似锦却疑侬是武陵人村巷冬年见俗情邻翁讲礼拜柴荆长衫布缕如霜雪云是家机自织成《集灵台二首（日光斜照集灵台）》原文翻译及赏析_作者张祜虢国夫人承主恩平明骑马入宫门却嫌脂粉污颜色淡扫蛾眉朝至尊这首讽虢国夫人的骄纵风骚虢国夫人是杨玉环的三姊嫁给裴家是当时名声极坏的人她并非后妃却承主恩而且骑马入宫朝至尊自恃美艳不施脂粉足见她的轻佻也可见玄宗的昏庸这两首诗语言颇为含蓄看似是褒实则是贬讽刺深刻入木三分
题临安邸古诗原文翻译及赏析_作者林升山外青山楼外楼西湖歌舞几时休暖风熏得游人醉直把杭州作汴州《别老母》原文翻译及赏析_作者黄景仁搴帷拜母河梁去白发愁看泪眼枯惨惨柴门风雪夜此时有子不如无诗的第一句搴帷拜母河梁去即掀开门帘告诉老母儿就要起程动身了但因为是游幕谋生游幕是指旧时知识分子离开本乡到外地寻求教学或投向官府求职这种告别是无一定目的的所以只能说河梁去一方面是老母难离另一方面因生活所迫又不得不离这种既难舍又无奈情景暗示了作者极为痛苦的心情诗的第二句白发愁看泪眼枯在即将告别老母外出的时候作者没有直抒胸臆表达对老母难分难舍的情感而是著笔于老母此时的情状白发苍苍愁容满面凄切悲凉欲哭无泪还容得着说吗一切伤心都隐藏在老母的这张面孔之中离不得舍不得却不得不离不得不舍这种情感的磨难真令人寸肠欲断撕肝裂肺至此谁能不为之动容呢诗的第三句惨惨柴门风雪夜转入了告别老母的时空环境作者用柴门风雪夜两个最简单的词儿极其概括典型地告诉人们在那种环境下一个不能掌握自己命运的人的凄楚难熬作者在另外的地方也有过贫穷潦倒的描述如全家都在秋风里九月衣裳未剪裁如果说那还只是一种对贫愁的感叹那末柴门风雪夜则是此时此地此情此景了风雪因柴门而更为肆虐柴门因风雪而更为难忍此时向老母告别除了惨惨还有什么可说呢最后作者集愧疚自责痛恨于一身发出了此时有子不如无的感慨这种感慨是极为凝重的它已经不是一般意义上的爱母之心恋母之情而变成了对那个时代的正义控诉对所有无依无靠无助老者的深切同情对天下不孝子女的严厉谴责这是由个人情感到整体理念的升华它从生育学角度告诫世人养子无用不如不养因此别老母诗比起那些爱母敬母的直描作品更具感染力和普遍性成为爱母作品中不朽的绝唱
《蚕妇（昨日入城市）》原文翻译及赏析_作者张俞昨日入城市归来泪满巾遍身罗绮者不是养蚕人
《江城子·斜风细雨作春寒》原文翻译及赏析_作者朱淑真斜风细雨作春寒对尊前忆前欢曾把梨花寂寞泪阑干芳草断烟南浦路和别泪看青山昨宵结得梦夤缘水云间悄无言争奈醒来愁恨又依然展转衾空懊恼天易见见伊难

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