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《秋风辞（秋风起兮白云飞）》原文翻译及赏析_作者刘彻秋风起兮白云飞草木黄落兮雁南归兰有秀兮菊有芳怀佳人兮不能忘泛楼船兮济汾河横中流兮扬素波箫鼓鸣兮发棹歌欢乐极兮哀情多少壮几时兮奈老何
《【双调】殿前欢_畅幽哉，春》原文翻译及赏析_作者贯云石楚怀王忠臣跳入汨罗江离骚读罢空惆怅日月同光伤心来笑一场笑你个三闾强为甚不身心放沧浪污你你污沧浪首句以楚怀王三字喝起气势森然跟着说忠臣跳入泪罗江直接揭露和控诉历史和社会现实的不平三四句是诗人对屈原的景仰和对历史的沉思种种伤感迷惑反思尽在空惆怅三字之中惆怅之余又忽省悟第五六句说从伤心转为失笑笑屈原过于固执活得不够洒脱不懂得从忠臣的硬壳中自我解放身心落得可悲的下场末句以问作结沧浪污你你污沧浪诗人连对屈原投江也持非议态度简直是石破天惊令人不可思议这样写表面上荒诞不经其实对屈原的讽笑不过是冷峭苦涩的反诘以摆出玩世不恭的姿态蔑视现实以说屈原不值得为现实牺牲进而彻底否定丑恶的现实此曲下半首抑圣为狂寓曲于笑能发人之所未发是全曲最精警之处朱权太和正音谱说作者散曲风格如天马脱羁此曲命意奇诡洒脱说明作者的思路确是谁也羁缚不住的
《大子夜歌·丝竹发歌响》原文翻译及赏析_作者南朝乐府丝竹发歌响假器扬清音不知歌谣妙声势出口心大子夜歌是子夜歌的一种变调据说有个叫子夜的女子创制了这个声调这首诗写的是歌谣之妙


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