江南水乡之旅，邂逅那宁静时光

李大龙

江南水乡之旅，邂逅那宁静时光
《夜雨寄北》原文翻译及赏析_作者李商隐君问归期未有期巴山夜雨涨秋池何当共剪西窗烛却话巴山夜雨时《更漏子》原文翻译及赏析_作者温庭筠玉炉香红蜡泪偏照画堂秋思眉翠薄鬓云残夜长衾枕寒梧桐树三更雨不道离情正苦一叶叶一声声空阶滴到明
《水调歌头·题剑阁》原文翻译及赏析_作者崔与之万里云间戍立马剑门关乱山极目无际直北是长安人苦百年涂炭鬼哭三边锋镝天道久应还手写留屯奏炯炯寸心丹对青灯搔白发漏声残老来勋业未就妨却一身闲梅岭绿阴青子蒲涧清泉白石怪我旧盟寒烽火平安夜归梦到家山《临江仙·长爱碧兰干影》原文翻译及赏析_作者晏几道长爱碧阑干影芙蓉秋水开时脸红凝露学娇啼霞觞熏冷艳云髻袅纤枝烟雨依前时候霜丛如旧芳菲与谁同醉采香归去年花下客今似蝶分飞这是一首描写荷花的词头两句总写荷塘全景园林修筑精美池边护以阑干芙蓉开时水光花色阑干影构成了美妙的景色秋水二字既交代季节时令更说明池水的清澈以下三句好像推近了摄像镜头用特写的手法突出描绘艳丽的荷花脸红凝露学娇啼一句把盛开的花朵比喻为美女的脸颊艳红的颜色如同敷上了一层又薄又匀的胭脂而花瓣上的露珠则像是美女娇啼的泪痕显然这是拟人化的艺术手法以花拟人以人比花既写外在的形貌颜色也写内在的情感思绪是颇具匠心的以下两句仍然延续拟人手法并且进一步伸展开来黄昏时分落霞与酒杯一色薰染着荷花呈现着一片冷艳花朵在荷梗上袅袅微颤好像是凌波微步时美女的发髻上片调动多种修辞手段极力描绘荷花之美下片抒写离别之情仍然围绕着荷花而展开时届深秋烟雨风霜依旧又是采莲时候荷花已然结成莲蓬池塘经霜以后只剩下了一片枯枝败叶这景象当然不免有些萧瑟悲凉但作者把采莲称作采香却仍然保留着对荷花的一丝眷恋之情最后两句归结到深切的感叹上去年花下客今似蝶分飞时光的流逝夹带着人世的变迁追思往昔何以胜情词章虽已终结而其余韵犹在回荡
《诉衷情·小桃灼灼柳鬖鬖》原文翻译及赏析_作者黄庭坚小桃灼灼柳春色满江南雨晴风暖烟淡天气正醺酣山泼黛水蓝翠相搀歌楼酒旆故故招人权典青衫
《如梦令·正是辘轳金井》原文翻译及赏析_作者纳兰性德正是辘轳金井满砌落花红冷蓦地一相逢心事眼波难定谁省谁省从此簟纹灯影

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