江南水乡画中游，领略别样风情

李大龙

江南水乡画中游，领略别样风情
《洛阳女儿行》原文翻译及赏析_作者王维洛阳女儿对门居才可颜容十五余良人玉勒乘骢马侍女金盘脍鲤鱼画阁朱楼尽相望红桃绿柳垂檐向罗帷送上七香车宝扇迎归九华帐狂夫富贵在青春意气骄奢剧季伦自怜碧玉亲教舞不惜珊瑚持与人春窗曙灭九微火九微片片飞花琐戏罢曾无理曲时妆成祗是熏香坐城中相识尽繁华日夜经过赵李家谁怜越女颜如玉贫贱江头自浣纱《更漏子·柳丝长，桃叶小》原文翻译及赏析_作者晏几道柳丝长桃叶小深院断无人到红日淡绿烟晴流莺三两声雪香浓檀晕少枕上卧枝花好春思重晓妆迟寻思残梦时全词以闲雅的笔调和深婉的情致抒写了春日闺思的情怀创造出一种纯美的词境上片以轻倩妍秀的笔触描写室外美好的春景起首三句描绘柳丝长长桃叶细嫩深院空寂的景色烘托春日寂静的气氛无人到上加一断字便有怨意为结处写情作了铺垫歇拍三句写院中的景物淡淡的红日照进院子里浓绿的树丛笼罩着漠漠轻烟传来了流莺三两声鸣啭一淡字写出春天初阳的特色空中水气弥漫故太阳淡而无光绿烟指草木间的烟霭末句以莺声反衬深院的寂静过片三句转写室内的情景闺中人雪白的肌肤透出了浓香脸上浅红色的娇晕也消褪了那绣枕头上低压着枝梢的花儿十分美好雪喻女子莹白的肌肤檀晕浅红色的妆晕上两句暗示闺人一夜独眠辗转不寐故妆残晕少枕上句隐喻闺人之美故见枕上花枝而益增枨触三句语浅情深含蓄蕴藉深婉曲折颇为耐人寻味结拍三句春思犹言春情春愁指闺人春日的情思晓妆句意与温庭筠菩萨蛮懒起画蛾眉弄妆梳洗迟相近而情韵似更胜真能写得出寻思的神理春日里闺中人闲愁深重起床后也迟迟不愿去梳妆独自寻思清晓的残梦这三句含而不露无限幽怨尽不言之中词中人梦境的内容作者没有道破这就给读者留下了充分的想像空间和无穷的回味王双启晏几道词新释辑评中国书店
《卜算子·娇软不胜垂》原文翻译及赏析_作者纳兰性德娇软不胜垂瘦怯那禁舞多事年年二月风翦出鹅黄缕一种可怜生落日和烟雨苏小门前长短条即渐迷行处古典诗词中杨柳被赋予了多种喻义但多是借以抒发艳情或是表达离愁别绪等等本篇虽题作咏柳一作新柳可实际上作者别有寓托有人以为是用象征的手法借咏柳来写一个年方及笄的歌女此可备一说这首小词用笔空灵清丽虽刻画但不伤其神理诚所谓不著一字尽得风流斯是妙绝上片侧重描画弱柳之形但已是含情脉脉下片侧重写其神韵结处用苏小之典更加迷离深婉耐人寻味《调笑·胡马》原文翻译及赏析_作者韦应物胡马胡马远放燕支山下跑沙跑雪独嘶东望西望路迷迷路迷路边草无穷日暮
《鹧鸪天·林断山明竹隐墙》原文翻译及赏析_作者苏轼林断山明竹隐墙乱蝉衰草小池塘翻空白鸟时时见照水红蕖细细香村舍外古城旁杖藜徐步转斜阳殷勤昨夜三更雨又得浮生一日凉
《破阵子·为陈同甫赋壮词以寄之》原文翻译及赏析_作者辛弃疾醉里挑灯看剑梦回吹角连营八百里分麾下炙五十弦翻塞外声沙场秋点兵马作的卢飞快弓如霹雳弦惊了却君王天下事赢得生前身后名可怜白发生

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