江南水乡韵味浓，开启休闲文化游

李大龙

江南水乡韵味浓，开启休闲文化游
《念奴娇·避地溢江书于新亭》原文翻译及赏析_作者王澜凭高远望见家乡只在白云深处镇日思归归未得孤负殷勤杜宇故国伤心新亭泪眼更洒潇潇雨长江万里难将此恨流去遥想江口依然鸟啼花谢今日谁为主燕子归来雕梁何处底事呢喃语最苦金沙十万户尽作血流漂杵横空剑气要当一洗残虏《别老母》原文翻译及赏析_作者黄景仁搴帷拜母河梁去白发愁看泪眼枯惨惨柴门风雪夜此时有子不如无诗的第一句搴帷拜母河梁去即掀开门帘告诉老母儿就要起程动身了但因为是游幕谋生游幕是指旧时知识分子离开本乡到外地寻求教学或投向官府求职这种告别是无一定目的的所以只能说河梁去一方面是老母难离另一方面因生活所迫又不得不离这种既难舍又无奈情景暗示了作者极为痛苦的心情诗的第二句白发愁看泪眼枯在即将告别老母外出的时候作者没有直抒胸臆表达对老母难分难舍的情感而是著笔于老母此时的情状白发苍苍愁容满面凄切悲凉欲哭无泪还容得着说吗一切伤心都隐藏在老母的这张面孔之中离不得舍不得却不得不离不得不舍这种情感的磨难真令人寸肠欲断撕肝裂肺至此谁能不为之动容呢诗的第三句惨惨柴门风雪夜转入了告别老母的时空环境作者用柴门风雪夜两个最简单的词儿极其概括典型地告诉人们在那种环境下一个不能掌握自己命运的人的凄楚难熬作者在另外的地方也有过贫穷潦倒的描述如全家都在秋风里九月衣裳未剪裁如果说那还只是一种对贫愁的感叹那末柴门风雪夜则是此时此地此情此景了风雪因柴门而更为肆虐柴门因风雪而更为难忍此时向老母告别除了惨惨还有什么可说呢最后作者集愧疚自责痛恨于一身发出了此时有子不如无的感慨这种感慨是极为凝重的它已经不是一般意义上的爱母之心恋母之情而变成了对那个时代的正义控诉对所有无依无靠无助老者的深切同情对天下不孝子女的严厉谴责这是由个人情感到整体理念的升华它从生育学角度告诫世人养子无用不如不养因此别老母诗比起那些爱母敬母的直描作品更具感染力和普遍性成为爱母作品中不朽的绝唱
《清平乐·留人不住》原文翻译及赏析_作者晏几道留人不住醉解兰舟去一棹碧涛春水路过尽晓莺啼处渡头杨柳青青枝枝叶叶离情此后锦书休寄画楼云雨无凭《晨诣超师院读禅经》原文翻译及赏析_作者柳宗元汲井漱寒齿清心拂尘服闲持贝叶书步出东斋读真源了无取妄迹世所逐遗言冀可冥缮性何由熟道人庭宇静苔色连深竹日出雾露馀青松如膏沐澹然离言说悟悦心自足
《幽居冬暮》原文翻译及赏析_作者李商隐羽翼摧残日郊园寂寞时晓鸡惊树雪寒鹜守冰池急景忽云暮颓年浸已衰如何匡国分不与夙心期第一联诗人概括自己一生受挫晚年困顿的实况点出幽居题意李商隐入仕后到处受人猜忌排笮甚至被诬为诡薄无行放利偷合新唐书文艺传为当途者所薄名宦不进坎终身旧唐书文苑传大中六年年作者四十岁时写给杜惊的献相国京兆公启说若某者幼常刻苦长实流离乡举三年才沾下第宦游十载未过上农此时他感到身心交瘁如羽翼摧铩之鸟无力奋飞了只能退守郊园在郑州的家园忍受这寂寞无聊郁郁寡欢的晚景实际上他才四十六岁
《送杜少府之任蜀州 / 送杜少府之任蜀川》原文翻译及赏析_作者王勃城阙辅三秦风烟望五津与君离别意同是宦游人海内存知己天涯若比邻无为在歧路儿女共沾巾

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